2010"Jo Baer: Broadsides and Belles Lettres, Selected Writings and Interviews 1965-2010", Roma Publications, Amsterdam, 2010
2005Baer, Jo, text in: "Black and White and a little bit of colour,” Arnhemse Cahiers 7, Museum voor Moderne Kunst Arnhem, p. 35 (catalogue).
Baer, Jo, text in "Letters to a Young Artist,” Art on Paper Book, NYC, pp 89-90.
1999"The Diptych," Catalogue, Jo Baer, Paintings, 1960-1998, Stedelijk Museum, Amsterdam, p26-27.
"I am no longer an Abstract Artist," Catalogue, reprint from '85. pp.15-19.
1997"The Diptych," The Pursuit of Painting, Irish Museum of Modern Art, Dublin, catalogue, p.52.
1996"Radical Attitudes to the Gallery," Art Gallery Exhibiting, De Balie, Amsterdam, p.42-43.
1993"Jo Baer: Four Drawings," (with Bruce Robbins), published upon the occassion of an exhibition at the Moore College of Art and Design, ISBN90-73215-08-08-0.
1990"Jo Baer: Red, White and Blue Gelding Falling to its Right (Double-cross Britannicus/Tri-color Hibernicus); `Tis Ill Pudling in the Cockatrice Den (La-Bas); The Rod Reversed (Mixing Memory and Desire)," Catalogue [click here to read flip book], Amsterdam.
1989"Radical attitudes to the Gallery, Art-Net, London, '77 republished in publication by Paul Andriese Amsterdam Galerie.
1984"Castello," Unpublished (academia.com), Tulin.
1983"Beyond the Pale," (with Bruce Robbins), Real Life Magazine, NY, Summer, p.16-17.
"Jo Baer: I am no longer an abstract artist." Art in America, NY. Oct, p.136-137.
1980"Radical Attitudes to the Gallery: Statement #2," Studio International, London.
1977"To and Fro and Back and Forth: A Dialogue With Seamus Coleman," Art Monthly, London. Mar, p.6-10.
"Radical Attitudes to the Gallery: Statement," Art-Net, London. Reprinted in "Galerie," Paul Andriesse, Amsterdam,'89, p.39.
"On Painting." Jo Baer Paintings 1962-1975", Museum of Modern Art Oxford (catalogue).
1972"Art and Politics" and "On Painting". Flash Art, Nov. p.6-7.
1971"Fluorescent Light Culture," American Orchid Society Bulletin, NY, Sept-Oct.
1970"The Artist and Politics: A Symposium." Art Forum, Sept. p.35-36.
"Art & Vision: Mach Bands" [click to read] and "Xerography & "Mach Bands: Instrumental Model", Aspen Magazine no. 8 The Fluxus usse, Fall-Winter 1970-71, essay on physiological rules of perception by Jo Baer.
1969"Letters." Art Forum, New York. Apr, p.4-5.
1968"Edward Kienholz: A Sentimental Journeyman," Art International, Lugano. Apr, p.45-49.
1967"Letters," Art Forum, NY, Sept. p.5-6.
1966"Statements." Systemic Painting. The Solomon R. Guggenheim Museum, New York.