jo baer

2018The Art Book: Women Artists, Phaidon Press Limited, London, 2018.

2017Schjeldahl, Peter, 'The Whitney Biennial's Political Mood', The New Yorker, Artworld, March 27, 2017 issue.

Merrill, Lizanne, 'Whitney Biennial 2017 Evolves Beyond Precious, Pretentious Or Tired', Artlyst, March 21, 2017.

Rosenbaum, Lee, 'The "Resistance" Biennial: The Whitney Museum Gets Tough', CultureGrrl - An Arts Journal Blog, March 15, 2017. Click here

Morgan-Feir, Caoimhe, 'What Canada's Art World Could Learn from the Whitney Biennial', Canadian Art, March 14, 2017.

2016Colaizzi, Vittorio, Robert Ryman, London, Phaidon Press, pp. 144-145.

Baca, Miguel de, A Dialogue: Donald Judd, Roy Lichtenstein, Kenneth Noland, Castelli Gallery, New York, pp. 22-23, 27.

Gross, Beatrice, "The arbitrary, the captricious, and the subjective': A Brief History of the LeWitt Collection', in: Gilman, Claire and Beatrice Gross, Drawing Dialogues: Selections from the Sol LeWitt Collection, The Drawing Center, 2016 (cat.), plate 12.

vy, Domenique et al., Drawing Then: Innovation and Inflence In American Drawings of the Sixties, Domenique Lévy Gallery, New York/London, 2016 (cat.).

2015Applin, Jo, 'Jo Baer, Artforum, issue 7, September 2015.

Ros, John, 'A Painter Who Left New York and Abstraction Behind, and Never Looked Back', Hyperallergic, June 2, 2015.

Cahill, James, 'Jo Baer: Towards the Land of the Giants', this is tomorrow, Camden Arts Centre, File Note #95 ,Apr - June 2015. 

Warder, Alexandra, 'Jo Baer: Towards the Land of the Giants', this is tomorrow, June 8, 2015.

Kent, Sarah, 'Jo Baer, Camden Arts Centre. The Minimalist who rejected abstraction for figurative painting. Or did she?', the arts desk, April 12, 2015.

Miller, Dana (ed.), 'Jo Baer', in: Whitney Museum of American Art: Handbook of the Collection, Whitney Museum of American Art, 2015 (cat.), p. 52.

2014Esche, Charles, 'Jo Baer: In the Land of the Giants and other works 2009-2013', in: Erick Beltrán and Nuria Enguita Mayo (eds.), How to (...) for things that don't exist (guide), 31st Bienal de Sao Paulo, 2014, p. 86-87.

Beltrán, Erick and Nuria Enguita Mayo (eds.), How to (...) things that don't exist (cat.), 31st Bienal de Sao Paulo, 2014, pp. 104, 130, 134, 144, 270, 271, 319.

Godfrey, Mark, 'Programmatics, Poetics, Paintings: On Jo Baer', in: Cooke, Lynn and Stephen Hoban (eds.), Robert Lehman Lectures on Contemporary Art, No. 5, Dia Art Foundation, New York, 2014, p. 75-104.

2013Gohlke, Gerrit, "Off the track", Tagesspiegel, Kultur, October 26, 2013.

Ruthe, Ingeborg, ‘Mein Bild der Woche. Feldforschung im Land der Riesen’, Berliner Zeitung 223, September 24, page 21.

Cahill, James, 'Jo Baer', Shows, Frieze Magazine , August 6 [online]

Imdahl, Georg, ‘Das Große Weiß. Von gleißender Helle zu mythologischen Figurationen: Das Kölner Museum Ludwig zeigt die US-amerikanische Malerin Jo Baer.’, Süddeutsche Zeitung, July 24, page 12.

Kuiper, Stefan, ‘Doeken zonder eenheid.’, Volkskrant, July 17, page 39.

Rhodes, David, 'Jo Baer', ARTSEEN, The Brooklyn Rail , July 15 [online]

‘Jo Baer [25/5 tot 25/8]’, De witte raaf, July/August 2013.

Borg, Lucette, ter, ''Grande dame' Jo Baer is nog altijd in gesprek met vroeger', NRC, June 19. 

Muller, Robert-Jan, 'Critics-Picks', [online]

Koether, Jutha, 'Seat of Power - A Picture of Being a Woman Artist', Texte zur Kunst, June 2013, 23. Jahrgang, Heft 90, pp. 48-59.

'Jo Baer. Museum Ludwig, Cologne.’, Gagosian, Summer 2013.

Lauwaert, Maaike, 'Jo Baer', - Modern Painters, June, pp 23/24 [online]

Quack, Gregor, ‘Braucht jetzt wirklich jemand noch ein Dreieck?’, Frankfurter Allgemeine Zeitung, May 26, page 45.

Mondriaanfonds, ‘Gehonoreerd. Jo Baer – In the Land of the Giants.’, Mondriaanfonds, May 14. [online]

‘Jo Baer [25/5 tot 25/8]’, De witte raaf, May/June 2013.

‘Jo Baer at Museum Ludwig Cologne’,, Mai 2013 [online]

O'Neill-Butler, Lauren, 'The Rijkstuff', /scene&herd 11.04.13 [online]

2012Ackermann, Rita et al., 'The Artists' Artists', Artforum, December 2012, page 106.

Linville, Kasha, 'Part 1, Untitled (Korean)' (Artforum 1970), Roger Buergel, September 2012, 'Part II, Image Works', Garden of Learning, Busan Bienale catalog, page 32-37.

Straaten, Evert, 'Verlangen naar Volmaaktheid, 21 jaar verzamelen door het Kröller-Müller Museum', page 47, 71, 73, 76-77. Stichting Kröller-Müller Museum, Otterlo, ISBN 987-90-73313-27-9.

cat. Arts Gala 2012, Purchase College New York, Nelson A. Rockefeller Award Honorees, page 8.

Rankin, David, The Language of Less (Then and Now), Artistic Atheism, MOCA, Chicago, (cat), p.14-15, p.16, p. 49.

2011 Gantt, Richard, 'Jo Baer', in: Nancy M. Doll et al., 70 Years of Collecting (cat), Weatherspoon Art Museum, Greensboro, p.108.

Kramer, Arno and Diana Wind (eds.), All about Drawing: 100 Dutch Artists, Stedelijk Museum Schiedam, Uitgeverij d'Jonge Hond, Schiedam (cat) p. 44-45, p. 287-288.

2010Berman, Avis,'Jo Baer' interview for Smithsonian Archives of American, Elizabeth Murray Oral History of Women in the Visual Arts project [online]

Lorch, Catrin, 'Bilder wie Honig. Amerikanischer Malerinnen: Mary Heilmann und Jo Baer', Süddeutsche Zeitung, April 30, 2010.

Zeitz, Lila, 'Sie will nicht fur immer Minimal Art. Jo Baer bei Barbara Thumm', Frankfurter Allgemeine Zeitung, April 30, 2010.

Fox, Dan, 'Jo Baer & John Wesley', Frieze, Issue 134, London Oct.

Butler, Lauren, 'Jo Baer' 07 03 10 Book review 500 Words [online]

Verlaek, Jolien, Jo Baer Broadsides and Belles Lettres, Metropolis M 22 Dec, [online]

Samstag Nachmittag, Kreuzberg
Samstag Nachmittag, Spittelmarkt, Art, das kunst magazine
Ulricke Münter, 'Jo Baer: Wat hat Abstraktion mit mir zu tun?' Berliner Zeitung, 11-05.
Meixner, Christine, 'Jo Baer: Für immer Kind', Der Tagesspiegel, 15 05.

Reichensberger, Petra, 'Jo Baer, Malerei', Zitty Berlin, 19.05.2010.

2009cat. Yellow and Green. Positionen aus der Sammlung des MMK, Frankfurt am Main, Museum fur Moderne Kunst, 2009.

Kelly, Patricia, 'Jo Baer, Modernism, and Painting on the Edge', Art Journal 68 (Fall 2009) 3, pp 52-67.

Paijmans, Theo (ed.), 'Times 3: triotentoonstelling = trio exhibition: Jo Baer, Lynda Benglis, Jutta Koether', special edition of Blend, in cooperation with the Van Abbemuseum, Eindhoven, 2009.

Smith, Roberta, 'MoMA Pushes the Envelope in the Works on Paper', The New York Times, April 24, 2009.

2008Doujak, Ines (ed.), Jo Baer, Vienna, Secession, 2008.

Meyer-Stoll, Christiane, A Document of the Times. Rolf Ricke Collection, Kunstmuseum St. Gallen/Ostfildern, Hatje Cantz, 2008.

Eshoo, Amy, 560 Broadway: A New York Drawing Collection at Work, 1991-2006, Fifth Floor Foundation, 2008.

2007Cooter, Holland, 'Jo Baer', The New York Times, May 5, 2007.

Moyer, Carrie, 'Jo Baer, Alexander Gray Associates', The Brooklyn Rail, May 2007.

Nymphuis, Friederike, DaimlerChrysler Collection; Minimalism and After, (catalogue), Berlin, pp 168-169.

Fine, Ruth, The Dorothy and Herbert Vogel Collection. Fifty Works for Fifty States, Washington DC, National Endowment for the Arts, p. 20.

'Time - Symposium Amsterdam Netherlands: Jo Baer', in: Lodermeyer, Peter, et al., Personal Structures: Time Space Existence, DuMont Buchverlag, Cologne, 2007, pp. 44-45.

2006Leaflet Amphora Frieze, Rutgers Centre for innovative print and paper, New Brunswick, 2004.

Florence, Penny, Fractures of Life: Locating the Finland Station, Helsinki, Museum of Contemporary Art Kiasma, 2005, pp 58-73.

Knipe, Judy and Hughes, Patricia, Logical Conclusions: 40 Years of Rule-Based Art, New York, Pace Wildenstein Gallery, 2005, pp 80-81.

Pasquariello, Lisa, Blanton Museum of Art (catalogue), Austen, pp 40- 41.

Reed David, Blanton Museum of Art (catalogue), Austin, p 393.

2005Florence, Penny, "Fractures of Life: Locating the Finland Station,” Museum of Contemporary Art Kiasma, Helsinki, pp 58-73 (catalogue).

Knipe, Judy and Hughes, Patricia, Logical Conclusions: 40 Years of Rule-Based Art, Pace-Wildenstein Gallery, NYC, pp 80-81 (catalogue).

Marzona, Daniel, Minimal Art, Taschen, Köln, London, LA, Madrid, Paris, Tokyo, pp 36-37.

2004Goldstein, Ann, and Mark, Lisa, eds, A Minimalist Future? Art as Object 1958-1968, MIT Press, Cambridge, Mass, p.26, pp156-161, p.445. (catalogue)

Drohojowska-Philip, Hunter, 'A Minimal Future? Art as Object', Art News, NYC, June, p.119.

Godfrey, Mark, 'Dimensions variable', Frieze, London, Ju, Jul, Aug, p 120.

Harvey, Doug, 'Next to Nothing', LA Weekly, LA, Apr p.16-22.

Knight, Christopher, 'Max Minimal', LA Times, March 16, E8.

Marzona, Daniel, Minimal Art, Cologne, Taschen, 2005, pp 36-37.

Stein, Judith, ''What Becomes a legend most?'' Womans Causus for Art, Honor Awards 2004, p. 10 -13. 

Zelevansky, Lynn, Beyond Geometry: Experiments in Forms, LACMA, Cambridge, p.24, 211, 216 (catalogue).

Denison, Lisa and Spector, Nancy, 'Singular Forms (Sometimes Repeated)', Guggenheim Museum Productions, NYC, p 106, 163 (catalogue).

2003Baron, Reuben M., "Jo Baer | The Minimalist Years, 1960-1975", artcritical, June 1, 2003.

Cooke, Lynne, Jo Baer. The Minimalist Years, 1960-1975, New York, Dia Center for the Arts, 2003 (catalogue).

Diehl, Carol, "White, Hot & Cool,” Art in America, NYC, May, pp100-103.

Feldman, Paula, "Jo Baer: The Minimalist Years,” Contemporary, #47/48, London, pp.123-124.

Long, Jim, "Jo Baer: The Minimalist Yearts,” The Brooklyn Rail, NYC, Winter.

Rich, Sarah K., "Jo Baer,”Art Forum, NYC, Feb, pp. 133-134.

Stein, Judith E., "The Adventures of Jo Baer,” Art in America, NYC, May, p.104-111, p.157.

2002A[tirnomis], "Geometry Class,” New York Magazine, NYC, Sept.9.

Bona, Damien, "Inside Oscar 2,” Digital, February, p.216.

Cooke, Lynne, Jo Baer. The Minimalist Years, 1960-1975, New York, Dia Center for the Arts, (exhibition brochure).

Doss, Erika, Twentieth Century American Art, Oxford, Oxford University Press, 2002, p 146.

Gopnik, Blake, 'Living Colors. Washington's Cp;pr-Field Painters, Like the '60s, Are Back. Why? There's no Black-and-White Answer', The Washington Post, September 29, 2002.

S.S. 'Jo Baer: The Minimalist Years, Dia Center', The Art Newspaper 12 (December 2002), p.2, p.131.

Schjedahl, Peter, 'Jo Baer', New Yorker Magazine, September 25, 2002.

2001Beek, Willem van, "Jo Baer,” Kunstbeeld, Rotterdam, Sept, #9, p. 24.

Finch, Mick, 'Peinture: trois regards', Contemporary Visual Arts, 2001, no 33, pp 70-71.

Frank, Peter, "Jo Baer: Art Picks of the Week,” LA Weekly, Los Angeles, Sept 28-Oct 4.

Hickey, Dave, Beau Monde: Toward a Redeemed Cosmopolitanism, Santa Fe, 2001, pp 84-85.

Illes, Vera, 'Show van en met Phil Bloom', de Volkskrant, December 19, 2001.

Keijer, Kees, 'Baers intellectuele rebussen', Het Parool, Amsterdam, Oct 20.

Rorimer, Ann, 'New Art: in the 60s and 70s', Thames and Hudson, London, pp. 37, 39, 42, 62.

Schneegass, Christian, Minimal-Concept: Zeichenhafte Sprachen im Raum, Akademie der Kunst, Berlin, p.112.

Tremau, Tristan, 'Peinture: trios regards', Art Press, February 2001, no. 265, p 86.

2000Buci-Glucksmann, Christine, Chassey Eric de and Perret, Catherine, Peinture: trios regards, Paris, Editions du Regard, 2000.

Meyer, James, Minimalism, Phaidon Press, London, pp 18., 22, 25, 31, 35, 47, 74, 78-79, 196,229, 242-3, 260. Illus. and writings: pp.57, 78, 122, 123, 156, 157.

Schwarz, Dieter, 'Von Edgar Degas bis Gerhard Richter,' Winterthur, 2000, pp.286-289.

Pontzen, Rutger, 'De laatste abstracte schilder', Vrij Nederland, Amsterdam, Feb 19.

Ramade, Benedicte, 'Les peaux murales de Miquel Mont', L'oeil, no. 520. October 2000.

1999Bloem, Marja, 'Jo Baer: Paintings 1960-1998', Stedelijk Museum, Amsterdam, 1999.

Lambrecht, Luk, 'Stedelijk toont de bekering van Jo Baer', De Morgen, Brussels, Feb3, p.13.

Schumacher, Rogier, 'Een kordate streep onder het verleden,' Het Parool, Amsterdam, Jan18.

Smallenburg, Sandra, 'Onheilspellende beelden,' NRC Handelsblad, Amsterdam, Jan 23.

Stiemer, Flora, 'Vechten voor betekenis,' Algemeen Dagblad, Rotterdam, Jan 12.

Van de Velde, Paola, 'Goede kunst ‘verbonden met echte wereld,’ ' De Telegraaf, Amsterdam, Jan 8.

1998A[tirnomis],"Beeldende kunst: Overzichtentoonstelling Jo Baer, "Dolce Vita, Amsterdam, Winter.

Bloem, Marja, 'Jo Baer, schilderijen/paintings', Bulletin Stedelijk Museum Amsterdam, Winter, p.10,11.

Pereé, Rob, 'De Ommekeer van Jo Baer.', Kunstbeeld, Amsterdam. Dec, p.16-18.

Tegenbosch, Pietje, 'Het Magische Tapijt', Vitrine, Amsterdam. Dec, p.20-25.

Bloem, Marja, 'In de sloot... uit de sloot... Gemeentelijke kunstaankopen 1997', Bulletin Stedelijk Museum Amsterdam, 1998, issue 1, p. 15-17. 

1997Stedelijk Museum Amsterdam, Voorstel gemeentelijke kunstaankopen 1997, Amsterdam, 1997. (catalogus)

1996Levin, Kim, 'Jo Baer', Village Voice, NYC, Jan 2, p.9.

Meyer, James, 'Jo Baer,' Art Forum, NYC, April, p. 98.

Meyer, James, 'Jo Baer', Art International, NYC, Vol 34 No. 8, April 1996.

Wei, Lilly, 'Jo Baer at Paula Cooper', Art in America, NYC, May, p.104.

Yablonsky, Linda, 'Jo Baer Paintings from the '60s and Early '70s', TimeOut, New York, Issue No.15, Jan.

Smith, Roberta, "Philip Johnson and the Modern: A Loving Marriage," NYTimes, June 7, p.C2.

1995A[tirnomis], Abstraction, Pure and Impure, New York, The Museum of Modern Art, 1995.

Boersma, Linda, 'Jo Baer', Bomb (Fall 1995) 53, pp 58-63 [online]

Desmond, Michael and Dixon, Christine, 1968, Canberra, National Gallery of Australia, 1995.

Halpert, Peter Hay, 'New York, Jo Baer:Paintings from the Sixties', The Art Newspaper 5 (December 1995) 54, p 39.

Karmel, Pepe, ' Women Inside and Outside the Grid', The New York Times, December 15, 1995.

Tonkonow, Leslie, Radical Aesthetics: The Art of Jo Baer, [Paula Cooper Gallery], New York, 1995, pp. 3-5.
Wismer, Beat, Karo Dame. Konstruktive und Radikale Kunst von Frauen von 1914 bis heute, Baden, Verlag Lars Müller, 1995.

1994Seidel, Miriam, 'Jo Baer at Moore College of Art', Art in America 82 (January 1994) 1, p.110.

1993Esman, Abigail R., 'Jo Baer: "Palimpsests"', Forum International 4 (October-November 1993) 19, p 134.

Pieters, Din, 'Gaat gij naar de vrouwen? Vergeet niet de zweep!', NRC Handelsblad, July 5, 1993.

Rice Robin, 'A Horse, of Course', CityPaper, Philadelphia, March 19, 1993.

Sozanski, Edward, 'Mythic Works tha Span Centuries and Civilizations', Philadelphia Inquierer, March 19, 1993.

Wood, Paul, Harrison, Charles et al, Modernism in Dispute. Art Since the Forties, New Haven, Yale University Press, 1993.

1991Rötzer, Florian and Weibel, Peter, The Picture After the Last
Picture, Vienna, Galerie Metropol/Cologne, Verlag Walther König, 1991, pp 16, 26-29, 166-167, 202, 217, 225.

1990Berswordt-Wallrabe, Kornelia von, Künstlerinnen des 20.Jahrhunderts, Wiesbaden, Museum Wiesbaden, 1990, 70-73.

Brenson, Micheal, 'New Curator at Modern Challenges Convention', The New York Times, December 28, 1990, Hettig, Frank Alexander, 'Jo Baer. Galerie Paul Andriesse', Kunstforum International, August-October 28, 1990.

Hixon, Catheryne, 'Jo Baer', Arts Magazine 64 (January 1990), pp 104-106.

Houts, Catherine van, 'Nieuw Harmonie in ouder vormen, Het Parool, June 15, 1990.

Kruijning, Aad, 'Jo Baer construeert met panters en biggen. Biologe en neuropsychologe neemt afscheid van abstracte kunst', De Telegraaf, June 20. 

Steenbergen, Renee, 'Jo Baer', NRC Handelsblad, June 15, 1990.

De Lage Landen International B.V., Jaarverslag 1990, Eindhoven, De Lage Landen Internation B.V., p. 24. 

1989Auping, Michael, Abstraction, Geometry, Painting. Geometrical Absract Painting in America Since 1945, Buffalo, Albright Knox Art Gallery, 1989.

Baker, Kenneth, Minimalism. Art of Circumstance, New York, Abbeville Press, 1989.

McCracken, David, 'Baer Pits Paint Against Paintings as Object', The Chicago Tribune, November 10, 1989.

Naylor, Colin (ed.), Contemporary Artists (third edition), New York, St. Martin's Press, Inc.1989.

1988McEvilley, Thomas, La couleur seule: l'experience du monochrome, Lyon, Musee St Peirre Art Contemporaine, 1988, p.30.

Thomson, Walter, 'Jo Baer at Art Galaxy', Art in America 76 (November 1988) 11, p.180.

1987Cummings, Paul, Dictionary of Contemporary American Artists, New York, St. Martin's Press, Inc.,1987.

Jansen, Bert, Aankopen 1986. Werk van hedendaagse beeldende kunstenaars, Den Haag, Rijksdienst Beeldende Kunst, 1987, p.31. 

Krane, Susan and Gerdts, William H., The Wayward Muse: a Historical Survey of Painting in Buffalo, Buffalo, Buffalo Fine Arts. 

Albright Knox Art Gallery, 1987.

McEvilley, Thomas, 'Reviews: Jo Baer', Art Forum 15 (May 1987) 9, p.141.

Smith, Roberta, 'Art: Generations of Geometry', an Abstract Show, The New York Times, July 17 1987, p. C32.

1985Dupont, Diana and Holland, Katharine, San Francisco Museum of Modern Art, Paintings and Sculpture Collection, San Francisco, San Francisco Musum of Modern Art, 1985.

1984Allthorpe-Guyton, Marjorie, The British Art Show, London, Arts Council of Great Britain, 1984, pp. 41- 42.

De Coppet, Laura and Jones, Alan, The Art Dealers, New York, Clarkson N. Potter Inc., 1984. 

Lacey, Catherine, The Tate Gallery. Illustrated Catalogue of Acquisitions 1980-82. London, Tate Gallery, 1984, pp. 42-44.

Achjeldahl, Peter, Art of Our Time. The Saatchi Collection, London, Lund Humphries Publishers, 1984, pp.25-27. 

1983Amstrong, Richard, 'Forum', Artforum 22 (Sept. 1983) 1, p. 67.

Smith, Roberta, 'Reductivism Redux', The Village Voice, February 22, 1983, p. 89.

MoMa PS1, Abstract Painting: 1960-1969, Long Island City, Queens, NY, P.S.1 (Project Studios One), The Institute for Art and Urban Resources, Inc. and The Clocktower, 1983. (ex. cat.)

1982Januszczak, Waldemar, Riding on Two Pairs of Hands', The Guardian, April 14, 1982.

Rubinstein, Charlotte Streifer, American Women Artists.From Early Indian Times to the Present, New York, Avon Books, 1982.

Wandja, Jan, 'Tail to the Wall', ZG Zeitgeist, London, 1982, no. 7.

1980Byrne, P.F. 'Two Artists' Cooperative', Evening Herald, Dublin, July 27, 1980.

Glueck, Grace, 'Jo Baer and Bruce Robbins', The New York Times, March 21, 1980.

Lucie-Smith, Edward, Art in the Seventies, Ithaca, Cornell University Press, 1980.

MacAvoe, Desmond, 'Jo Baer and Bruce Robbins at Dowling', The Irish Times, August 1, 1980.

Miller, Sandra, 'Jo Baer: Galerie Lisson', Art Press (October 1980) 41, P.34.

Silverhorn, Jean, 'Jo Baer and Bruce Robbins', Artforum 18, (Summer 1980) 10, pp. 80-81.

Stoffels, Christian, 'Frei schwebende Kleider', Kolner-Stadt-Anzeiger, June 20, 1980.

Vaizey, Marina, 'Jo Baer: Lisson Gallery', The Sunday Times, June 22, 1980.

1979Baker, Kenneth, 'Less is Less', The Boston Phoenix, March 27, 1979. 

Cathcart, Linda L., American Painting of the 1970s, Buffalo, Buffalo Fine Arts Academy, 1978.

Kologe, Brian R., 'Frame an Empty Space and Call it Art', Christian Science Monitor, April 1979 Joselit, David, 'For Minimalists the Art is the Object', Boston Ledger, March 23-30, 1979.

Pacheco, Richard,'Boston Institute Gives Showcase to Minimalism', Standard Times, Boston, April 15, 1979.

Raynor, Vivien, 'At Ridgefield, a Defenition of Minimalism', The New York Times, May 13, 1979.

Baillie, Martin, 'Landscapes Predominate', Glasgow Herald, January 24, 1978.
Gage, Edward, 'A Brush with Gestalt Theory', Scotsman Monday, January 30 1978.

Curran, Frank, 'Is This The Craziest Art Exhibition Ever?', Sunday Mail (Scotland), February 12 1978, p.3.

'Minimalist Art', letters to the Scotsman Monday, February 20, 1978. 

Shelley, J.G., 'Minimal Art', (in reaction to the article by E. Gage), Scotsman Monday, March 3, 1978
Garden, Neville, 'Would You Pay Money for this?'

'The Bare Baer Look', Scotsman
'Paying for Nothing' , Evening Times Editorial Comment "Voice of the Times" , February 13, 1978.

'Blank Art', Sunday Mail, February 18,1978.
Campbell, James, 'Pictures of an Exhibitionist', New Statesman, February 17, 1978, p. 217.

Groot, Paul, 'Jo Baer: pleidooi voor magie in de schilderkunst', NRC Handelsblad, April 25, 1978.

McNab, Sue, 'Baer Revealed', Piranha, nr.2 , november 10, p.8. 

1977Elliott, David, 'Introduction', in: cat. Jo Baer. Paintings 1962-1975, Oxford, Museum of Modern Art Oxford, 1977, pp. 4-11.

Fuchs, Rudi, 'For Jo Baer', in: cat. Jo Baer. Paintings 1962-1975, Oxford, Museum of Modern Art Oxford, 1977, p.13.

Domingo, Willis, 'Jo Baer at MOMA, Oxford', Art Monthly, November 1977, no. 12, pp. 14-15.

Kramer, Hilton, 'Art: 'Less Is More,' A Minimal Touch', The New York Times, April 29 1977, p. C20.

1976Lippard, Lucy R., From the Center: Feminist Essays on Women's Art, New York, E.P. Dutton, 1976, pp. 172-180.

Krauss, Rosalind, Works on paper: American Art 1945-1975, The Washington Art Consortium Collection, 1976 p. 36.

Tagg, John, 'Jo Baer:Lisson Gallery', Studio International 191 (March-April 1976) 980, p.20.

1975Haskell, Barbara, Jo Baer, New York, Whitney Museum of American Art, 1975, pp. 8-14.

Hess, Thomas B., 'They Don't Pussyfoot', New York Magazine, New York, June 2, 1975, p. 65.

Kuspit, Donald B., 'Jo Baer: Inimations of Variety', Art in America, 63 (November-December 1975) 2, pp.76-77.

Legg, Alicia, American Art Since 1945, From the Collection of the Museum of Modern Art, New York, Museum of Modern Art, 1975.

Loring, John, 'Jo Baer', Arts Magazine 49 (April 1975) 8, p. 70.
Ratcliff, Carter, Hand Colored Prints, New York, Brooke Alexander, 1975.

Rose, Barbara, American Art Since 1900 (revised edition), New York, Praeger PublishersRose, Barbara, 'Vogue Upfront', Vogue, June 1975, p.50.

Smith, Roberta, 'Jo Baer: Whitney Museum of American Art', Artforum 14 (September 1975) 1, pp.73-74.

Russel, John, 'Paintings by Jo Baer at Whitney Museum', The New York Times, June 21, 1975, p.23.

1974Guilbaut, Serge and Sgan-Cohen, Michael, 'Jo Baer: Peintre traditionel et "radical"', Art Press, May 1974, pp. 16-18.

Museum of Contemporary Art, Five Artists: A Logic of Vision, Chicago, Illinois, Museum of Contemporary Art, 1974. (ex. cat.) 

1973Canavier, Elena Karina, 'Baer's Painterly Elegance', Art Week, April 28, 1973, p.31.

Celant, Germano, Arte Come Arte, Milan, Centro Comunitario di Brera, 1973, p.5.

Coffin, Sarah, 'Jo Baer', Options & Alternatives, New Haven, Yale University Art Gallery, 1973.

Kerber, Bernhard, 'Szene Rhein-Ruhr', Art International, 17 (May 1973) 5, p.55.

1972Hunter, Sam, American Art of the 20th Century, New York, Harry Abrams Inc.1972, p. 350.

Lucy, Lippard R., 'Color at the Edge', Art News 71 (May 1972) 3, pp. 24-25, 64-66.

Matthias, Rosemary, 'Jo Baer: Lo Giudice' , Arts Magazine 46 (Summer 1972) 8, pp.57-58.

Ratcliff, Carter, 'Jo Baer: Notes on Five Recent Paintings', Artforum 10 (May 1972) 9, pp 28-32, cover
Ratcliff, Carter, 'Once More with Feeling', Art News 71 (Summer 1972) 4, pp34-37, 67-69.

Schjeldahl, Peter, 'Jo Baer: Playing on the Senses', The New York Times, May 14.

1971Baker, Elizabeth C., 'Sexual Art-Politics', Art News 69 (January 1971) 9, pp. 60-62.

Calas, Nicolas and Calas, Elen, Icons and Images of the Sixties, New York, E.P. Dutton, 1971.

Linville, Kasha, 'Jo Baer at the School of Visual Arts', Artforum 9 (May 1971) 9, pp.77-78 [online]

Lippard, Lucy r., 'Diversity in Unity: Recent Geometricizing Styles in America, Abstract Art Since 1945.
Art since Mid-Century', The New Internationalism, vol.1, Greenwhich, The New York Graphic Society, 1971.

Mellow, J.R., 'Jo Baer: Serial Paintings, Visual Arts Gallery', The New York Times, April 11, 1971.

Mikotajuk, A., 'Exhibition, Goldowsky Gallery', Arts 45 (March 1971) 5, p.63.

Pfeiffer, Günter, 'Jo Baer: Galerie Ricke', Das Kunstwerk 14 (January 1971) 1, p.79.

1970A[tirnomis], 'Jo Baer at Goldowsky', Arts Magazine 44 (February 1970) 4, p.57.

Kline, Katherine, 'Jo Baer: Goldowsky', Art News 68 (February 1970) 10, p.10.

Pfeiffer, Gunter, ' Es leuchtet Gold', Kolner-Stadt-Anzeiger, November 20, 1970.

Ratcliff, Carter, 'New York, Goldowsky Gallery', Art International 14 (March 1970) 3, p.70.

Wasserman, Emily, 'Jo Baer: Goldowsky Gallery', Artforum 8 (March 1970) 7, p.7.

1969Insley, Will. 'Jo Baer', Art International, vol. 13, (February 1969) 2, pp 26-28.

Lascault, Gilbert, Kunst ist Revolution, oder der Kunstler in der Konsumgesellschaft, Cologne, Dumont Aktuell, 1969, pp 64-66.

Pincus-Witten, Robert, 'Jo Baer, Al Leslie at the Goldowsky Gallery', Artforum 7 (February 1969) 6, p. 67.

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